In the film Inventos, Hip-Hop Cubano, one artist states that for many of those engaged in hip-hop, it is not a Cuban culture but an African culture. Think about the origin of hip-hop that has been discussed in class, as well as the context and construction of contemporary hip-hop in Cuba as described in the film and the Fernández article and the socio-historic/socioeconomic conditions of those engaged.

1. How does hip-hop’s cultural and historical context contribute to individuals identifying it as African rather than Cuban? (you must use specific examples from the film and reading assignments; don’t forget to cite your work!)

Use information from the background and context information here, or other outside references and your own personal experiences to build out your post and support your opinions.